| Me at the Heatherwick Studio exhibit |
In one of my former UCLA classes, my professor told us what
it means to be a good designer. Using the example of the sticker on an apple
being a bad design, she said that instead of simply accepting bad designs, you
need to let the sticker bother you every single time you buy an apple—that is
when you can make a change and become a good designer. After going to the Hammer
Museum and visiting Provocation: The Architecture and Design of the Heatherwick
Studio, I instantly related the work done in the Heatherwick studio to this
notion of being a good designer. The exhibit displayed test as well as scale
models of some of the design ideas that the Heatherwick Studio generated, and
all of their projects addressed aesthetic problems and bad designs, resulting
in new, creative, and unique solutions to make these designs better while
incorporating math, engineering, physics, and biology.
| Section Model of Al Fayah Park in Abu Dhabi. The project is expected to be completed in 2017. |
I also saw a model of the Rolling Bridge in London, created
in response to the unaesthetic appeal of the up and down motion of the
traditional draw bridge. They are also working on creating a larger one to span
the Thames River. One last project I found extremely interesting was the
Sitooterie, which was created when clients asked to create a sculpture that
appeared “hairy”. The Heatherwick studio had to find a way to make such a thing
stand up on such thin pieces, which required heavy mathematics and physics in
its design.
| Model of the Sitooterie |
| Scale Model of the Rolling Bridge in London |
Altogether, the exhibit exemplifies the inte joining nature
of art and science. The sciences were used to ensure their designs were
attainable before implementation in the real world. This exhibit was extremely
informative and I highly recommend it.
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